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The appearance of the dead San Francisco Solano
When Fransiscan Monk Francisco Solano died, it was decided by the Franciscan order to have his portrait painted in an attempt to preserve his image. The limenan artist Juan de Aguayo was called and asked to paint the dead priest. He was given no further instructions and started painting 24 hours aft...
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Published in: | Omega: Journal of Death and Dying 2002-01, Vol.46 (2), p.101-103 |
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container_title | Omega: Journal of Death and Dying |
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description | When Fransiscan Monk Francisco Solano died, it was decided by the Franciscan order to have his portrait painted in an attempt to preserve his image. The limenan artist Juan de Aguayo was called and asked to paint the dead priest. He was given no further instructions and started painting 24 hours after death had occurred. But, rather than portraying a lively image of the priest (as is frequently done in posthumous portraits), the artist seems to have painted the monk exactly how he found him (Figure 1). Possible reasons for this peculiar form of artistry are discussed. [PUBLICATION ABSTRACT] |
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ispartof | Omega: Journal of Death and Dying, 2002-01, Vol.46 (2), p.101-103 |
issn | 0030-2228 1541-3764 |
language | eng |
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source | Applied Social Sciences Index & Abstracts (ASSIA); Sage Journals Online |
subjects | Art criticism Artists Death Death & dying History Lopez, Francisco Solano Monks Portraits |
title | The appearance of the dead San Francisco Solano |
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