An empirical evaluation of the visual rightness theory of pictorial composition

This research tested the visual rightness theory of pictorial composition's assertion that the induced organizational structure of a visually right (i.e., “good”) design is perceptually salient and judged superior by anyone viewing it regardless of his or her training in the visual arts. Stimul...

Full description

Saved in:
Bibliographic Details
Published in:Acta psychologica 1999-12, Vol.103 (3), p.261-280
Main Authors: Locher, Paul J., Stappers, Pieter Jan, Overbeeke, Kees
Format: Article
Language:English
Subjects:
Adult
Aesthetics
Beauty
Biological and medical sciences
Esthetics - psychology
Female
Fundamental and applied biological sciences. Psychology
Humans
Judgment
Male
Middle Aged
Paintings - psychology
Perception
Psychology. Psychoanalysis. Psychiatry
Psychology. Psychophysiology
Vision
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:This research tested the visual rightness theory of pictorial composition's assertion that the induced organizational structure of a visually right (i.e., “good”) design is perceptually salient and judged superior by anyone viewing it regardless of his or her training in the visual arts. Stimuli for Experiments 1 and 2 consisted of 16 reproductions of paintings by renowned artists and an experimentally reconstructed less-well-organized version of each art stimulus. It was found that design professionals (Experiment 2) were significantly more successful at detecting the original versions than were participants untrained in the visual arts (Experiment 1) (hit rates=64% and 55%, respectively). In Experiment 3 participants replaced a major structural element removed from each of six pictures of the stimulus set at the location where they thought it appears in the original. A significant number of untrained participants and those with training in design theory were in agreement as to the location of each element within its pictorial field; the location chosen conformed to its compositional structure but not its actual location in the original. Findings demonstrate that the ability to detect the induced structural skeleton of a painting resulting from a visually right design does not require expert knowledge of design principles whereas the ability to discriminate between several articulation possibilities of the same composition does require formal training.
ISSN:0001-6918
1873-6297
DOI:10.1016/S0001-6918(99)00044-X