Loading…

A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers

In a context of strong growth and intense social struggles related to the employment conditions of media industry worker on short-term contracts in France, attention is drawn to the difficulties that the Confederation generale du travail (CGT) has had organizing performers and stage hands in show bu...

Full description

Saved in:

Bibliographic Details
Published in:	Sociologie du travail (Paris) 2010-07, Vol.52 (3), p.374-388
Main Author:	Proust, S
Format:	Article
Language:	fre
Subjects:	Business Collective action Culture Employees France Labor Movements Labour movements Media Programming (Broadcast) Trade unionism Unions Values Workers
Online Access:	Get full text
Tags:	Add Tag No Tags, Be the first to tag this record!

cited_by
cites
container_end_page	388
container_issue	3
container_start_page	374
container_title	Sociologie du travail (Paris)
container_volume	52
creator	Proust, S
description	In a context of strong growth and intense social struggles related to the employment conditions of media industry worker on short-term contracts in France, attention is drawn to the difficulties that the Confederation generale du travail (CGT) has had organizing performers and stage hands in show business (cinema, theater, etc.). This labor union must deal with a large number of young professionals who pay no mind to the rules and norms related to wage-earning and no longer consider them to be a common good. Working in small groups that produce shows, these professionals regard their occupation as a vocation, value the hyperflexibility of their working conditions, pay scant attention to the distinction between employer and employees, and tend to deny the specific characteristics of their jobs and skills while referring, instead, to a blurry set of qualifications. All rights reserved, Elsevier
doi_str_mv	10.1016/j.soctra.2010.06.010
format	article
fullrecord	<record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_miscellaneous_818801002</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>818801002</sourcerecordid><originalsourceid>FETCH-LOGICAL-p149t-341db323974537b7d78a6acee6d470ab7c8eb131b43cdf3e757a1c2f43f76fb33</originalsourceid><addsrcrecordid>eNqFkD1PwzAURT2ARCn8AwZvTAl2nPq5bFXFl1SJpcyVHb-0KYld_BIq_j2hsDNd6eqcO1zGbqTIpZD6bp9TrPpk80KMldD5GGdsIoQymSjm-oJdEu2FkCDNbMLigrfWxcS7-Ikdhp7b4Hm_Q44pUhMDjzU_2i1maFNowpY3gdMuHrkbqAlIdH-il0_rk7lNcTjQj9Shb-xI-4H69MWPMb1joit2XtuW8Povp-zt8WG9fM5Wr08vy8UqO8hy3meqlN6pQs2hnClw4MFYbStE7UsQ1kFl0EklXakqXyuEGVhZFXWpatC1U2rKbn93Dyl-DEj9pmuowra1AeNAGyONGZ8Rxb_kOC01gAb1DXeCa94</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>757167767</pqid></control><display><type>article</type><title>A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers</title><source>International Bibliography of the Social Sciences (IBSS)</source><source>JSTOR Archival Journals and Primary Sources Collection</source><source>Sociological Abstracts</source><creator>Proust, S</creator><creatorcontrib>Proust, S</creatorcontrib><description>In a context of strong growth and intense social struggles related to the employment conditions of media industry worker on short-term contracts in France, attention is drawn to the difficulties that the Confederation generale du travail (CGT) has had organizing performers and stage hands in show business (cinema, theater, etc.). This labor union must deal with a large number of young professionals who pay no mind to the rules and norms related to wage-earning and no longer consider them to be a common good. Working in small groups that produce shows, these professionals regard their occupation as a vocation, value the hyperflexibility of their working conditions, pay scant attention to the distinction between employer and employees, and tend to deny the specific characteristics of their jobs and skills while referring, instead, to a blurry set of qualifications. All rights reserved, Elsevier</description><identifier>ISSN: 0038-0296</identifier><identifier>DOI: 10.1016/j.soctra.2010.06.010</identifier><identifier>CODEN: SCGTAT</identifier><language>fre</language><subject>Business ; Collective action ; Culture ; Employees ; France ; Labor Movements ; Labour movements ; Media ; Programming (Broadcast) ; Trade unionism ; Unions ; Values ; Workers</subject><ispartof>Sociologie du travail (Paris), 2010-07, Vol.52 (3), p.374-388</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,27924,27925,33224,33775</link.rule.ids></links><search><creatorcontrib>Proust, S</creatorcontrib><title>A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers</title><title>Sociologie du travail (Paris)</title><description>In a context of strong growth and intense social struggles related to the employment conditions of media industry worker on short-term contracts in France, attention is drawn to the difficulties that the Confederation generale du travail (CGT) has had organizing performers and stage hands in show business (cinema, theater, etc.). This labor union must deal with a large number of young professionals who pay no mind to the rules and norms related to wage-earning and no longer consider them to be a common good. Working in small groups that produce shows, these professionals regard their occupation as a vocation, value the hyperflexibility of their working conditions, pay scant attention to the distinction between employer and employees, and tend to deny the specific characteristics of their jobs and skills while referring, instead, to a blurry set of qualifications. All rights reserved, Elsevier</description><subject>Business</subject><subject>Collective action</subject><subject>Culture</subject><subject>Employees</subject><subject>France</subject><subject>Labor Movements</subject><subject>Labour movements</subject><subject>Media</subject><subject>Programming (Broadcast)</subject><subject>Trade unionism</subject><subject>Unions</subject><subject>Values</subject><subject>Workers</subject><issn>0038-0296</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2010</creationdate><recordtype>article</recordtype><sourceid>8BJ</sourceid><sourceid>BHHNA</sourceid><recordid>eNqFkD1PwzAURT2ARCn8AwZvTAl2nPq5bFXFl1SJpcyVHb-0KYld_BIq_j2hsDNd6eqcO1zGbqTIpZD6bp9TrPpk80KMldD5GGdsIoQymSjm-oJdEu2FkCDNbMLigrfWxcS7-Ikdhp7b4Hm_Q44pUhMDjzU_2i1maFNowpY3gdMuHrkbqAlIdH-il0_rk7lNcTjQj9Shb-xI-4H69MWPMb1joit2XtuW8Povp-zt8WG9fM5Wr08vy8UqO8hy3meqlN6pQs2hnClw4MFYbStE7UsQ1kFl0EklXakqXyuEGVhZFXWpatC1U2rKbn93Dyl-DEj9pmuowra1AeNAGyONGZ8Rxb_kOC01gAb1DXeCa94</recordid><startdate>20100701</startdate><enddate>20100701</enddate><creator>Proust, S</creator><scope>8BJ</scope><scope>FQK</scope><scope>JBE</scope><scope>7U4</scope><scope>BHHNA</scope><scope>DWI</scope><scope>WZK</scope></search><sort><creationdate>20100701</creationdate><title>A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers</title><author>Proust, S</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-p149t-341db323974537b7d78a6acee6d470ab7c8eb131b43cdf3e757a1c2f43f76fb33</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>fre</language><creationdate>2010</creationdate><topic>Business</topic><topic>Collective action</topic><topic>Culture</topic><topic>Employees</topic><topic>France</topic><topic>Labor Movements</topic><topic>Labour movements</topic><topic>Media</topic><topic>Programming (Broadcast)</topic><topic>Trade unionism</topic><topic>Unions</topic><topic>Values</topic><topic>Workers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Proust, S</creatorcontrib><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Sociologie du travail (Paris)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Proust, S</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers</atitle><jtitle>Sociologie du travail (Paris)</jtitle><date>2010-07-01</date><risdate>2010</risdate><volume>52</volume><issue>3</issue><spage>374</spage><epage>388</epage><pages>374-388</pages><issn>0038-0296</issn><coden>SCGTAT</coden><abstract>In a context of strong growth and intense social struggles related to the employment conditions of media industry worker on short-term contracts in France, attention is drawn to the difficulties that the Confederation generale du travail (CGT) has had organizing performers and stage hands in show business (cinema, theater, etc.). This labor union must deal with a large number of young professionals who pay no mind to the rules and norms related to wage-earning and no longer consider them to be a common good. Working in small groups that produce shows, these professionals regard their occupation as a vocation, value the hyperflexibility of their working conditions, pay scant attention to the distinction between employer and employees, and tend to deny the specific characteristics of their jobs and skills while referring, instead, to a blurry set of qualifications. All rights reserved, Elsevier</abstract><doi>10.1016/j.soctra.2010.06.010</doi><tpages>15</tpages></addata></record>
fulltext	fulltext
identifier	ISSN: 0038-0296
ispartof	Sociologie du travail (Paris), 2010-07, Vol.52 (3), p.374-388
issn	0038-0296
language	fre
recordid	cdi_proquest_miscellaneous_818801002
source	International Bibliography of the Social Sciences (IBSS); JSTOR Archival Journals and Primary Sources Collection; Sociological Abstracts
subjects	Business Collective action Culture Employees France Labor Movements Labour movements Media Programming (Broadcast) Trade unionism Unions Values Workers
title	A labor movement and the erosion of wage-earning in show business: the CGT and groups of media industry workers
url	http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-24T17%3A41%3A38IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=A%20labor%20movement%20and%20the%20erosion%20of%20wage-earning%20in%20show%20business:%20the%20CGT%20and%20groups%20of%20media%20industry%20workers&rft.jtitle=Sociologie%20du%20travail%20(Paris)&rft.au=Proust,%20S&rft.date=2010-07-01&rft.volume=52&rft.issue=3&rft.spage=374&rft.epage=388&rft.pages=374-388&rft.issn=0038-0296&rft.coden=SCGTAT&rft_id=info:doi/10.1016/j.soctra.2010.06.010&rft_dat=%3Cproquest%3E818801002%3C/proquest%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-p149t-341db323974537b7d78a6acee6d470ab7c8eb131b43cdf3e757a1c2f43f76fb33%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=757167767&rft_id=info:pmid/&rfr_iscdi=true