Collezionismo e filologia : a proposito del designi di Boltraffio, Solario e Luini dalla collezione Jabach al Louvre

A relationship between the watercolor additions and those in pen and ink in a group of drawings from the Jabach Collection (16181695), now in the Département des Arts Graphiques at the Louvre, Paris, is presented here for the first time. The drawings discussed in this study were done by Giovanni Ant...

Full description

Saved in:
Bibliographic Details
Published in:Artibus et historiae 2010-01, Vol.31, p.133-147
Main Author: Marani, Pietro Cesare
Format: Article
Language:Italian
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:A relationship between the watercolor additions and those in pen and ink in a group of drawings from the Jabach Collection (16181695), now in the Département des Arts Graphiques at the Louvre, Paris, is presented here for the first time. The drawings discussed in this study were done by Giovanni Antonio Boltraffio, Andrea Solario and Bernardino Luini, as well as by Nicolas Poussin, with additions and integrations executed by Charles Errand on the occasion of the publication of Leonardo's "Trattato della Pittura" (Paris, 1651). Among the artists Everhard Jabach employed for the "improvements" on the drawings in his collection before selling them to the King of France in 1671, was Michel Corneille the Younger (16421708) to whom Jabach assigned a particular role, as has been demonstrated in previous important studies by Catherine Monbeig Goguel.
ISSN:0391-9064