What Can the Organ Partitura to Tomás Luis de Victoria’s Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 Tell Us about Performance Practice?

Tomás Luis de Victoria's "Missae, Magnificat, motecta, psalmi et alia quam plurima" of 1600 introduced Victoria's version of the Roman polychoral idiom to the Iberian peninsula, with great effect. O'Regan examines the organ partitura, which has implications for contemporary...

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Bibliographic Details
Published in:Performance Practice Review (Online) 2009, Vol.14 (1), p.1-14
Main Author: O'Regan, Noel
Format: Article
Language:English
Subjects:
Historical Performance
Masses (Music)
Organ Music
Performance Practice
Spanish Music
Victoria, Tomás Luis de
Online Access:Get full text
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Summary:Tomás Luis de Victoria's "Missae, Magnificat, motecta, psalmi et alia quam plurima" of 1600 introduced Victoria's version of the Roman polychoral idiom to the Iberian peninsula, with great effect. O'Regan examines the organ partitura, which has implications for contemporary understanding of performance practice.
ISSN:1044-1638
2166-8205
DOI:10.5642/perfpr.200914.01.05