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Crossmodal encoding of motor sequence memories
In this study, we tested the hypothesis that exposure to specific auditory sequences could lead to the crossmodal induction of new motor memories. Twenty young, healthy participants memorized a melody without moving. Each tone in the memorized melody had previously been associated with a particular...
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Published in: | Psychological research 2015-03, Vol.79 (2), p.318-326 |
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description | In this study, we tested the hypothesis that exposure to specific auditory sequences could lead to the crossmodal induction of new motor memories. Twenty young, healthy participants memorized a melody without moving. Each tone in the memorized melody had previously been associated with a particular finger movement. For ten of the participants, the contour of the melody memorized was congruent to a subsequently performed, but never practiced, finger movement sequence (C group,
n
= 10). For the other ten participants, the melody memorized was incongruent to the subsequent finger movement sequence (InC group,
n
= 10). Results showed faster performance of the movement sequence in the C group than in the InC group. This difference in motor performance was most pronounced 6 h after melody learning and then dissipated over 30 days. These results provide evidence of a specific, crossmodal encoding of a movement sequence representation through an auditory sequence with the effect on motor performance lasting for several hours. The findings of this study are significant, as the formation of new motor memories through exposure to auditory stimuli may be useful in rehabilitation settings where the initial encoding of motor memories through physical training is disrupted. |
doi_str_mv | 10.1007/s00426-014-0568-2 |
format | article |
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n
= 10). For the other ten participants, the melody memorized was incongruent to the subsequent finger movement sequence (InC group,
n
= 10). Results showed faster performance of the movement sequence in the C group than in the InC group. This difference in motor performance was most pronounced 6 h after melody learning and then dissipated over 30 days. These results provide evidence of a specific, crossmodal encoding of a movement sequence representation through an auditory sequence with the effect on motor performance lasting for several hours. The findings of this study are significant, as the formation of new motor memories through exposure to auditory stimuli may be useful in rehabilitation settings where the initial encoding of motor memories through physical training is disrupted.</description><identifier>ISSN: 0340-0727</identifier><identifier>EISSN: 1430-2772</identifier><identifier>DOI: 10.1007/s00426-014-0568-2</identifier><identifier>PMID: 24771059</identifier><identifier>CODEN: PSREDJ</identifier><language>eng</language><publisher>Berlin/Heidelberg: Springer Berlin Heidelberg</publisher><subject>Adult ; Auditory Perception - physiology ; Behavioral Science and Psychology ; Female ; Fingers ; Humans ; Learning - physiology ; Male ; Melody ; Memory ; Motor Activity - physiology ; Movement - physiology ; Music ; Musicians & conductors ; Neurological disorders ; Original Article ; Psychological research ; Psychology ; Psychology Research ; Psychomotor Performance - physiology ; Sound ; Stroke ; Young Adult</subject><ispartof>Psychological research, 2015-03, Vol.79 (2), p.318-326</ispartof><rights>Springer-Verlag Berlin Heidelberg (outside the USA) 2014</rights><rights>Springer-Verlag Berlin Heidelberg 2015</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c536t-e57ba842aa8dc6d95bf60bd1c5d352498fb26ae6dc9b397ab4d26dc3daf0226e3</citedby><cites>FETCH-LOGICAL-c536t-e57ba842aa8dc6d95bf60bd1c5d352498fb26ae6dc9b397ab4d26dc3daf0226e3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.proquest.com/docview/1653037530/fulltextPDF?pq-origsite=primo$$EPDF$$P50$$Gproquest$$H</linktopdf><linktohtml>$$Uhttps://www.proquest.com/docview/1653037530?pq-origsite=primo$$EHTML$$P50$$Gproquest$$H</linktohtml><link.rule.ids>230,314,780,784,885,11688,27924,27925,36060,36061,44363,74767</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/24771059$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Stephan, Marianne A.</creatorcontrib><creatorcontrib>Heckel, Brittany</creatorcontrib><creatorcontrib>Song, Sunbin</creatorcontrib><creatorcontrib>Cohen, Leonardo G.</creatorcontrib><title>Crossmodal encoding of motor sequence memories</title><title>Psychological research</title><addtitle>Psychological Research</addtitle><addtitle>Psychol Res</addtitle><description>In this study, we tested the hypothesis that exposure to specific auditory sequences could lead to the crossmodal induction of new motor memories. Twenty young, healthy participants memorized a melody without moving. Each tone in the memorized melody had previously been associated with a particular finger movement. For ten of the participants, the contour of the melody memorized was congruent to a subsequently performed, but never practiced, finger movement sequence (C group,
n
= 10). For the other ten participants, the melody memorized was incongruent to the subsequent finger movement sequence (InC group,
n
= 10). Results showed faster performance of the movement sequence in the C group than in the InC group. This difference in motor performance was most pronounced 6 h after melody learning and then dissipated over 30 days. These results provide evidence of a specific, crossmodal encoding of a movement sequence representation through an auditory sequence with the effect on motor performance lasting for several hours. The findings of this study are significant, as the formation of new motor memories through exposure to auditory stimuli may be useful in rehabilitation settings where the initial encoding of motor memories through physical training is disrupted.</description><subject>Adult</subject><subject>Auditory Perception - physiology</subject><subject>Behavioral Science and Psychology</subject><subject>Female</subject><subject>Fingers</subject><subject>Humans</subject><subject>Learning - physiology</subject><subject>Male</subject><subject>Melody</subject><subject>Memory</subject><subject>Motor Activity - physiology</subject><subject>Movement - physiology</subject><subject>Music</subject><subject>Musicians & conductors</subject><subject>Neurological disorders</subject><subject>Original Article</subject><subject>Psychological research</subject><subject>Psychology</subject><subject>Psychology Research</subject><subject>Psychomotor Performance - physiology</subject><subject>Sound</subject><subject>Stroke</subject><subject>Young Adult</subject><issn>0340-0727</issn><issn>1430-2772</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2015</creationdate><recordtype>article</recordtype><sourceid>M0C</sourceid><recordid>eNqNkU1LAzEQhoMotlZ_gBdZ8OJl6-R79yJI8QsKXvQcspts3bK7qUlX8N-bpbVUQfCSIZln3szMi9A5hikGkNcBgBGRAmYpcJGl5ACNMaOQEinJIRoDZZCCJHKETkJYAmAphDxGI8KkxMDzMZrOvAuhdUY3ie1KZ-pukbgqad3a-STY9z6-2qS1rfO1DafoqNJNsGfbOEGv93cvs8d0_vzwNLudpyWnYp1aLgudMaJ1Zkphcl5UAgqDS24oJyzPqoIIbYUp84LmUhfMkHihRldAiLB0gm42uqu-aK0pbbf2ulErX7fafyqna_Uz09VvauE-FMsyikFGgautgHdxhrBWbR1K2zS6s64PCgsBLJKY_wPlTEZQ5hG9_IUuXe-7uImBokDlcEwQ3lDlsFtvq13fGNRgnNoYp6JxajBOkVhzsT_wruLbqQiQDRBiqltYv_f1n6pfJTSjNg</recordid><startdate>20150301</startdate><enddate>20150301</enddate><creator>Stephan, Marianne A.</creator><creator>Heckel, Brittany</creator><creator>Song, Sunbin</creator><creator>Cohen, Leonardo G.</creator><general>Springer Berlin Heidelberg</general><general>Springer Nature B.V</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>3V.</scope><scope>7TK</scope><scope>7WY</scope><scope>7WZ</scope><scope>7X7</scope><scope>7XB</scope><scope>87Z</scope><scope>88E</scope><scope>88G</scope><scope>8AO</scope><scope>8FI</scope><scope>8FJ</scope><scope>8FK</scope><scope>8FL</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BEZIV</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>FRNLG</scope><scope>FYUFA</scope><scope>F~G</scope><scope>GHDGH</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K60</scope><scope>K6~</scope><scope>K9.</scope><scope>L.-</scope><scope>M0C</scope><scope>M0S</scope><scope>M1P</scope><scope>M2M</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PQBIZ</scope><scope>PQBZA</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PSYQQ</scope><scope>Q9U</scope><scope>7X8</scope><scope>5PM</scope></search><sort><creationdate>20150301</creationdate><title>Crossmodal encoding of motor sequence memories</title><author>Stephan, Marianne A. ; Heckel, Brittany ; Song, Sunbin ; Cohen, Leonardo G.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c536t-e57ba842aa8dc6d95bf60bd1c5d352498fb26ae6dc9b397ab4d26dc3daf0226e3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2015</creationdate><topic>Adult</topic><topic>Auditory Perception - physiology</topic><topic>Behavioral Science and Psychology</topic><topic>Female</topic><topic>Fingers</topic><topic>Humans</topic><topic>Learning - physiology</topic><topic>Male</topic><topic>Melody</topic><topic>Memory</topic><topic>Motor Activity - physiology</topic><topic>Movement - physiology</topic><topic>Music</topic><topic>Musicians & conductors</topic><topic>Neurological disorders</topic><topic>Original Article</topic><topic>Psychological research</topic><topic>Psychology</topic><topic>Psychology Research</topic><topic>Psychomotor Performance - physiology</topic><topic>Sound</topic><topic>Stroke</topic><topic>Young Adult</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Stephan, Marianne A.</creatorcontrib><creatorcontrib>Heckel, Brittany</creatorcontrib><creatorcontrib>Song, Sunbin</creatorcontrib><creatorcontrib>Cohen, Leonardo G.</creatorcontrib><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>ProQuest Central (Corporate)</collection><collection>Neurosciences Abstracts</collection><collection>ABI/INFORM Collection</collection><collection>ABI/INFORM Global (PDF only)</collection><collection>Health & Medical Collection (Proquest)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ABI/INFORM Collection</collection><collection>Medical Database (Alumni Edition)</collection><collection>Psychology Database (Alumni)</collection><collection>ProQuest Pharma Collection</collection><collection>Hospital Premium Collection</collection><collection>Hospital Premium Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>ABI/INFORM Collection (Alumni Edition)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Essentials</collection><collection>AUTh Library subscriptions: ProQuest Central</collection><collection>Business Premium Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central</collection><collection>Business Premium Collection (Alumni)</collection><collection>Health Research Premium Collection</collection><collection>ABI/INFORM Global (Corporate)</collection><collection>Health Research Premium Collection (Alumni)</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest Business Collection (Alumni Edition)</collection><collection>ProQuest Business Collection</collection><collection>ProQuest Health & Medical Complete (Alumni)</collection><collection>ABI/INFORM Professional Advanced</collection><collection>ABI/INFORM Global (ProQuest)</collection><collection>Health & Medical Collection (Alumni Edition)</collection><collection>PML(ProQuest Medical Library)</collection><collection>Psychology Database (ProQuest)</collection><collection>ProQuest research library</collection><collection>Research Library (Corporate)</collection><collection>One Business (ProQuest)</collection><collection>ProQuest One Business (Alumni)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest One Psychology</collection><collection>ProQuest Central Basic</collection><collection>MEDLINE - Academic</collection><collection>PubMed Central (Full Participant titles)</collection><jtitle>Psychological research</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Stephan, Marianne A.</au><au>Heckel, Brittany</au><au>Song, Sunbin</au><au>Cohen, Leonardo G.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Crossmodal encoding of motor sequence memories</atitle><jtitle>Psychological research</jtitle><stitle>Psychological Research</stitle><addtitle>Psychol Res</addtitle><date>2015-03-01</date><risdate>2015</risdate><volume>79</volume><issue>2</issue><spage>318</spage><epage>326</epage><pages>318-326</pages><issn>0340-0727</issn><eissn>1430-2772</eissn><coden>PSREDJ</coden><abstract>In this study, we tested the hypothesis that exposure to specific auditory sequences could lead to the crossmodal induction of new motor memories. Twenty young, healthy participants memorized a melody without moving. Each tone in the memorized melody had previously been associated with a particular finger movement. For ten of the participants, the contour of the melody memorized was congruent to a subsequently performed, but never practiced, finger movement sequence (C group,
n
= 10). For the other ten participants, the melody memorized was incongruent to the subsequent finger movement sequence (InC group,
n
= 10). Results showed faster performance of the movement sequence in the C group than in the InC group. This difference in motor performance was most pronounced 6 h after melody learning and then dissipated over 30 days. These results provide evidence of a specific, crossmodal encoding of a movement sequence representation through an auditory sequence with the effect on motor performance lasting for several hours. The findings of this study are significant, as the formation of new motor memories through exposure to auditory stimuli may be useful in rehabilitation settings where the initial encoding of motor memories through physical training is disrupted.</abstract><cop>Berlin/Heidelberg</cop><pub>Springer Berlin Heidelberg</pub><pmid>24771059</pmid><doi>10.1007/s00426-014-0568-2</doi><tpages>9</tpages><oa>free_for_read</oa></addata></record> |
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subjects | Adult Auditory Perception - physiology Behavioral Science and Psychology Female Fingers Humans Learning - physiology Male Melody Memory Motor Activity - physiology Movement - physiology Music Musicians & conductors Neurological disorders Original Article Psychological research Psychology Psychology Research Psychomotor Performance - physiology Sound Stroke Young Adult |
title | Crossmodal encoding of motor sequence memories |
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