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Jimmy Scott and the problem of gender in singing
The voice of jazz performer Jimmy Scott raises interesting questions of how gender is marked (or not marked) in singing voice. Scott was born with Kallman’s Syndrome, which affects male hormonal levels and prevents the onset of puberty. Although he self-identified as a “regular guy,” in his career h...
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Published in: | The Journal of the Acoustical Society of America 2016-04, Vol.139 (4), p.2107-2107 |
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Format: | Article |
Language: | English |
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container_title | The Journal of the Acoustical Society of America |
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creator | Eidsheim, Nina Kreiman, Jody E. |
description | The voice of jazz performer Jimmy Scott raises interesting questions of how gender is marked (or not marked) in singing voice. Scott was born with Kallman’s Syndrome, which affects male hormonal levels and prevents the onset of puberty. Although he self-identified as a “regular guy,” in his career he was presented as a novelty act—a boy who sounded like an adult woman—or paired with gender-ambiguous images. This paper explores Scott’s voice in comparison to male and female peers, with emphasis on the paradoxical role of falsetto in creating a male vocal image. |
doi_str_mv | 10.1121/1.4950262 |
format | article |
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source | American Institute of Physics:Jisc Collections:Transitional Journals Agreement 2021-23 (Reading list) |
title | Jimmy Scott and the problem of gender in singing |
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