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Public spheres, counterpublics’ fears and syncopolitics
This article explores the often normative and idealist notion of the public sphere at its possible breaking point by analysing the online reactions to two tabloid articles about a 2016 performance of Dancing with Strangers: From Calais to England by Instant Dissidence. It first looks at how a commen...
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Format: | Default Article |
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2020
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Online Access: | https://hdl.handle.net/2134/12106818.v1 |
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