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Amikam Toren: Representation as a matter of fact
This is a catalogue of works by Amikam Toren, an Israeli-born conceptual artist who has been producing work in London for fifty years. This selective retrospective of the artist's oeuvre discusses and chronicles his major achievements. Toren is famous for his 'Armchair Paintings' and...
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| Main Authors: | , |
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| Format: | Default Book |
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2021
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| Subjects: | |
| Online Access: | https://hdl.handle.net/2134/14717226.v1 |
| Tags: | Add Tag |
| _version_ | 1818166649027559424 |
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| author | Phillip Lindley Lulu Ao |
| author_facet | Phillip Lindley Lulu Ao |
| author_sort | Phillip Lindley (4674214) |
| collection | Figshare |
| description | This is a catalogue of works by Amikam Toren, an Israeli-born conceptual artist who has been producing work in London for fifty years. This selective retrospective of the artist's oeuvre discusses and chronicles his major achievements. Toren is famous for his 'Armchair Paintings' and his radical investigations of materiality, his engagement with text-painting and his prolonged assault on the nature of representational art. In addition to an introduction and catalogue of works exhibited in Cambridge in June-September 2021, the catalogue contains an essay by the artist Lulu Ao, examining his Armchair Paintings from a Chinese perspective. |
| format | Default Book |
| id | rr-article-14717226 |
| institution | Loughborough University |
| publishDate | 2021 |
| record_format | Figshare |
| spelling | rr-article-147172262021-06-16T00:00:00Z Amikam Toren: Representation as a matter of fact Phillip Lindley (4674214) Lulu Ao (10910766) Visual Art Iconoclasm Appropriation Amikam Toren Text-based art Conceptual Art This is a catalogue of works by Amikam Toren, an Israeli-born conceptual artist who has been producing work in London for fifty years. This selective retrospective of the artist's oeuvre discusses and chronicles his major achievements. Toren is famous for his 'Armchair Paintings' and his radical investigations of materiality, his engagement with text-painting and his prolonged assault on the nature of representational art. In addition to an introduction and catalogue of works exhibited in Cambridge in June-September 2021, the catalogue contains an essay by the artist Lulu Ao, examining his Armchair Paintings from a Chinese perspective. 2021-06-16T00:00:00Z Text Book 2134/14717226.v1 https://figshare.com/articles/book/Amikam_Toren_Representation_as_a_matter_of_fact/14717226 CC BY-NC-ND 4.0 |
| spellingShingle | Visual Art Iconoclasm Appropriation Amikam Toren Text-based art Conceptual Art Phillip Lindley Lulu Ao Amikam Toren: Representation as a matter of fact |
| title | Amikam Toren: Representation as a matter of fact |
| title_full | Amikam Toren: Representation as a matter of fact |
| title_fullStr | Amikam Toren: Representation as a matter of fact |
| title_full_unstemmed | Amikam Toren: Representation as a matter of fact |
| title_short | Amikam Toren: Representation as a matter of fact |
| title_sort | amikam toren: representation as a matter of fact |
| topic | Visual Art Iconoclasm Appropriation Amikam Toren Text-based art Conceptual Art |
| url | https://hdl.handle.net/2134/14717226.v1 |