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Changing scenes and flying machines: re-examination of spectacle and the spectacular in Restoration theatre, 1660-1714
This thesis builds upon the existing scholarship of theatrical historians such as Robert D. Hume, Judith Milhous and Jocelyn Powell, and seeks to broaden the notion of the term spectacle in relation to Restoration theatrical performances, as defined by Milhous as scenery, machinery, large cast sizes...
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Format: | Default Thesis |
Published: |
2016
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Online Access: | https://hdl.handle.net/2134/21792 |
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