Contemporary printmaking : the nature and development of an identity in technique and form

The dissertation sets out to consider the development of printmaking forms, during the course of the twentieth century, in order to trace the conceptual and technical concerns which, in particular, have defined the nature of a contemporary identity in relation to the visual arts as a whole. It is pr...

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Bibliographic Details

Main Author:	Michael P. Talbot
Format:	Default Thesis
Published:	1984
Subjects:	Other creative arts and writing not elsewhere classified untagged Studies in the Creative Arts and Writing not elsewhere classified
Online Access:	https://hdl.handle.net/2134/10482
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