Reframing disaster: word and image in Tacita Dean's The Russian Ending

This article examines the relationship between word and image in a suite of photogravures produced by Tacita Dean in 2001 entitled The Russian Ending. It is argued that this intermedial encounter expands the signifying content of documentary photographs beyond that which is visible on their surface....

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Bibliographic Details
Main Author: Kathryn Brown
Format: Default Article
Published: 2016
Subjects:
Other creative arts and writing not elsewhere classified
Cinema
Roland Barthes
Tacita Dean
Documentary
Handwriting
Intermediality
Photography
Studies in the Creative Arts and Writing not elsewhere classified
Online Access:https://hdl.handle.net/2134/22064
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https://hdl.handle.net/2134/22064

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