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“And the one doesn’t stir...": on curatorial practice and the making of feminist histories
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a still pool, the exhibition And the One Doesn’t Stir without the Other acted as a point of impact around which resonances between feminist art, activism, history and theory were amplified. It is not surpr...
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Main Author: | Marsha Meskimmon |
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Format: | Default Book chapter |
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2005
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Online Access: | https://hdl.handle.net/2134/8747 |
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