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The photographic portrait: directions of meaning and the ineffable (1970-2005)
This thesis uses the photographic portrait as an example of contemporary art practice to examine developments in aesthetic sensibility and constructions of meaning with particular address to ineffable qualities in both the subject and in the photograph. It examines the contribution of practice to a...
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| Format: | Default Thesis |
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2006
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| Online Access: | https://hdl.handle.net/2134/7961 |
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