Loading…

QR Code

The photographic portrait: directions of meaning and the ineffable (1970-2005)

This thesis uses the photographic portrait as an example of contemporary art practice to examine developments in aesthetic sensibility and constructions of meaning with particular address to ineffable qualities in both the subject and in the photograph. It examines the contribution of practice to a...

Full description

Saved in:

Bibliographic Details
Main Author:	Jane Tormey
Format:	Default Thesis
Published:	2006
Subjects:	Other creative arts and writing not elsewhere classified Photography Portrait Post structuralism Ineffable Conceptual Meaning Fiction Derrida Baudrillard Kristeva Studies in the Creative Arts and Writing not elsewhere classified
Online Access:	https://hdl.handle.net/2134/7961
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Marc Crank [Royal Society of Portrait Painters Annual Open Catalogue 2009]
by: Alastair Adams
Published: (2009)

Self-portrait 2007 : an exhibition of self-portraits by members of the Royal Society of Portrait Painters in association with the Bulldog Trust
by: Alastair C. Adams
Published: (2007)

The afterthought of drawing: six hypotheses
by: Jane Tormey
Published: (2011)

Feminism meets the Big Exhibition: Museum Survey Shows since 2005
by: Hilary Robinson
Published: (2016)

Are ambiguous research outcomes undesirable?
by: Phil Sawdon, et al.
Published: (2008)

Preface
by: Gen Doy, et al.
Published: (2009)

Are ambiguous research outputs undesirable?
by: Jane Tormey, et al.
Published: (2008)

Culinary disquisitions: cultures of food in North American and British writing, 1956–2005
by: Lorna Piatti
Published: (2009)

Self-portraits: subjectivity in the works of Vera Brittain
by: Andrea F. Peterson
Published: (2001)

The return of the abject: a psychoanalytic analysis of a selection of William Shakespeare’s plays in the light of Julia Kristeva’s theories of the mind
by: Amir Mahmoudzadeh-Andwari
Published: (2018)

The photographic wanderer
by: Marco Bohr
Published: (2015)

Annual exhibition 2014 [The Royal Society of Portrait Painters]
by: Alastair Adams
Published: (2014)

Annual exhibition 2012 [The Royal Society of Portrait Painters]
by: Alastair Adams
Published: (2012)

The Royal Society of Portrait Painters Annual Exhibition 2009
by: Alastair Adams
Published: (2009)

Annual exhibition 2011 [The Royal Society of Portrait Painters]
by: Alastair Adams
Published: (2011)

Annual exhibition 2010 [The Royal Society of Portrait Painters]
by: Alastair Adams
Published: (2010)

Annual exhibition 2013 [The Royal Society of Portrait Painters]
by: Alastair Adams
Published: (2013)

Review of Alexander Leggatt. Shakespeare's Tragedies: Violation and Identity (Cambridge: Cambridge University Press, 2005)
by: Joan Fitzpatrick
Published: (2006)

The fall of the hou$e of finance: gothic economies in House of Leaves (2000) and Lunar Park (2005)
by: Brian Jarvis
Published: (2010)

Chronology through cartography: mapping 1970s feminist art globally
by: Marsha Meskimmon
Published: (2007)

National Portrait Gallery Primary Collection 2013: Anthony Lynton ('Tony') Blair (1953-)
by: Alastair Adams
Published: (2013)

National Portrait Gallery Review 2012/13/14: Anthony Charles Lynton ('Tony') Blair (1953-)
by: Alastair C. Adams
Published: (2014)

Girish Sethna, note-taker (2008): People's Portraits 10th Anniversary Collection Exhibition 2010
by: Alastair Adams
Published: (2010)

Publicity, celebrity, fashion: photographing Edna St. Vincent Millay
by: Sarah Parker
Published: (2016)

Fashion as communication revisited
by: Malcolm Barnard
Published: (2020)

Blurring the boundaries: Fourteen great detective stories and Joyce's a portrait of the artist as a young man in the modern library series
by: Lise Jaillant
Published: (2013)

Politics and poetics in post-9/11 US and UK fiction, 2003–2008
by: Mohammad Hazazi
Published: (2018)

Computer-generated fiction in a literary lineage: Breaking the Hermeneutic contract
by: Leah Henrickson
Published: (2018)

Selfie control: online discussion of women's photographic practices as a gendered form of social discipline
by: Anne Burns
Published: (2015)

Brigid Brophy’s ethical aestheticism: Form, empathy, reciprocity
by: Sarah Parker
Published: (2024)

Inspiring writing in art and design education taking a line for a write / Pat Francis.
by: Francis, Pat
Published: (2009)

Advertising and photography: rhetoric and representation
by: Malcolm Barnard
Published: (2020)

Silhouette(s) and shade(s): a work of ekphrasis and ellipses
by: Phil Sawdon
Published: (2023)

Drawing (No)thing(s)
by: Phil Sawdon
Published: (2022)

Unofficial records : a study of diaries with special reference to those kept by soldiers on the Western Front during the First World War
by: Jane E. Hewetson
Published: (1983)

The in-betweeners: Irish animation as a postcolonial discourse
by: Thomas Walsh
Published: (2008)

Witchcraft plays 1587-1635: a psychoanalytical approach
by: Katherine Woods
Published: (2013)

Naoya Hatakeyama and the photographic representation of Post-Tsunami landscapes in Japan
by: Marco Bohr
Published: (2016)

Animation
by: Andrew Selby
Published: (2013)

Tracing the sculptural legacy of Constance Naden: Memorialisation, gender, and the portrait bust
by: Sarah Parker, et al.
Published: (2018)