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Exploitation, victimhood, and gendered performance in Rituparno Ghosh's Bariwali
This article analyzes Rituparno Ghosh's celebrated film Bariwali (The Lady of the House, 2000). The film marks the beginnings of Ghosh's treatment of gender and sexual politics. Ghosh's earlier films Unishe April (1994) and Dahan (1997) engaged with strong female characters, but Bariw...
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| Main Authors: | , |
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| Format: | Default Article |
| Published: |
2016
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| Subjects: | |
| Online Access: | https://hdl.handle.net/2134/22998 |
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