Exploitation, victimhood, and gendered performance in Rituparno Ghosh's Bariwali

This article analyzes Rituparno Ghosh's celebrated film Bariwali (The Lady of the House, 2000). The film marks the beginnings of Ghosh's treatment of gender and sexual politics. Ghosh's earlier films Unishe April (1994) and Dahan (1997) engaged with strong female characters, but Bariw...

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Bibliographic Details
Main Authors: Rohit Dasgupta, Tanmayee Banerjee
Format: Default Article
Published: 2016
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Online Access:https://hdl.handle.net/2134/22998
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