Published 2015
“…This study, rather than enforcing notions of a theatrical age of nihilism, draws upon the theories of Sartre, Simone de Beauvoir, and peers, not in an attempt to dwell upon the meaning(lessness) of being that is the focus of traditional existentialist analyses, but so that an ontology of the
Beckett character can be established. Over the course of the five chapters which comprise this work, I
aim to change the focus from that which has been categorised as existential and/or absurd in
Beckett s oeuvre, to the phenomenological points of interest that are manifest in that same. …”
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