Published 2009
“…What was it about the revolutionary climate following World War I that induced three such different personalities to collaborate in the production of a slim volume of poetry—entitled Gott in Mir—about the indwelling of the divine within the human?
Gossman's study situates the poem in the ideological context that
made the collaboration possible: pantheism, Darwinism, disillusionment with traditional liberal values, theosophy and völkisch religions, and Lebensreform. …”
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