Loading…

Le Corbusier, Choisy, and French Hellenism: The Search for a New Architecture

This essay explores Le Corbusier's debt to the nineteenth-century tradition of French Hellenism in the formulation of his vision for a new architecture, as reflected both in his polemical treatise, Vers une architecture (1923), and in his avant-garde Parisian villas of the 1920's. Two of L...

Full description

Saved in:
Bibliographic Details
Published in:The Art bulletin (New York, N.Y.) N.Y.), 1987-06, Vol.69 (2), p.264-278
Main Author: Etlin, Richard A.
Format: Article
Language:English
Subjects:
Citations: Items that this one cites
Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:This essay explores Le Corbusier's debt to the nineteenth-century tradition of French Hellenism in the formulation of his vision for a new architecture, as reflected both in his polemical treatise, Vers une architecture (1923), and in his avant-garde Parisian villas of the 1920's. Two of Le Corbusier's principal interests - the architectural promenade, informed by the example of the Athenian Acropolis, and the Parthenon, appreciated as an aesthetic icon - derive from this tradition, which he received through the writings of Viollet-le-Duc and Auguste Choisy. These two theorists, moreover, are shown to have promoted ideas that belie their popular characterization today as "structural rationalists." Finally, it is suggested that the historical periods usually associated with what is known as the Modern Movement, seen as beginning toward either 1890 or 1920, are, rather, phases within a longer historical cycle, which originated with the Romantic revolution toward the 1820's, when it became imperative to create a modern architecture expressive of contemporary culture.
ISSN:0004-3079
1559-6478
DOI:10.1080/00043079.1987.10788424