Desire, Misogyny, and Official Power in Mark Dornford-May's U-Carmen eKhayelitsha

As the most frequently adapted narrative in film history, the story Carmen - based originally on Proper Mérimée's 1845 novella and George Bizet's 1875 opera of the same name - offers differing response to various intertextual debates concerning feminism, sexual freedom, interracial relatio...

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Bibliographic Details
Published in:Safundi (Nashville, Tenn.) Tenn.), 2012-07, Vol.13 (3-4), p.231-249
Main Author: Lewsen, Simon
Format: Article
Language:English
Subjects:
adaptation
Beauty
Carmen
Cinematography
Dornford-May, Mark
Misogyny
Narratives
Opera
Power relations
South Africa
U-Carmen
Urban life
vernacular
Citations: Items that this one cites
Online Access:Get full text
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