The Influence of Psychotropic Flora and Fauna on Maya Religion [and Comments and Reply]

An examination of Maya art from southern Mesoamerica shows the following art motifs appearing with some regularity throughout the archaeological record, from Pre-Classic to Post-Conquest times: (a) mushroom stones and mushroom pottery, (b) the frog/toad motif, and (c) the water lily motif. The thesi...

Full description

Saved in:
Bibliographic Details
Published in:Current anthropology 1974-06, Vol.15 (2), p.147-164
Main Authors: de Rios, Marlene Dobkin, Alger, Norman, Crumrine, N. Ross, Furst, Peter T., Harman, Robert C., Hellmuth, Nicholas M., Hopkins, Nicholas A., King, William Clyde, Koss, Joan D., La Barre, Weston, Landar, Herbert J., Long, Joesph K., Proskouriakoff, Tatiana, Rubel, Arthur J., Samaranch, Francisco, J. Eric S. Thompson, Wescott, Roger W.
Format: Article
Language:English
Subjects:
Hallucinogens
Mayan culture
Motifs
Mushrooms
Plants
Priests
Psychotropics
Religious rituals
Shamans
Toads
Citations: Items that cite this one
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:An examination of Maya art from southern Mesoamerica shows the following art motifs appearing with some regularity throughout the archaeological record, from Pre-Classic to Post-Conquest times: (a) mushroom stones and mushroom pottery, (b) the frog/toad motif, and (c) the water lily motif. The thesis of this papers is that these flora and fauna represented in art are related to and influenced by the psychotropic properties of the mushroom, toad, and water lily. It is hypothesized that such properties were known to the Maya shaman, priest, and artist as well as being generally diffused at a folk level in Pre-Classic times. The paper examines certain Maya religious beliefs and practices believed to be influenced by and possibly derived from such psychotropic use.
ISSN:0011-3204
1537-5382
DOI:10.1086/201452