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Dystopian Futures, Apartheid, and Postapartheid Allegories
This essay analyzes Lauren Beukes's 2010 novel, Zoo City, as a complicated set of allegories of environmental disaster, HIV/AIDS, xenophobic violence, and contemporary African identity. It argues that Zoo City, as a speculative fiction of sorts, is deeply informed by South African history and p...
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Published in: | Comparative studies of South Asia, Africa, and the Middle East Africa, and the Middle East, 2016-08, Vol.36 (2), p.293-306 |
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Main Author: | |
Format: | Article |
Language: | English |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | This essay analyzes Lauren Beukes's 2010 novel, Zoo City, as a complicated set of allegories of environmental disaster, HIV/AIDS, xenophobic violence, and contemporary African identity. It argues that Zoo City, as a speculative fiction of sorts, is deeply informed by South African history and particularly the history of Johannesburg in both the apartheid and postapartheid eras. The central conceit of the novel, the “animalled,” or “zoos,” marks a working through of the persistence of forms of stigmatization, violence, and exclusion in its present. |
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ISSN: | 1089-201X 1548-226X |
DOI: | 10.1215/1089201X-3603355 |