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The Medea Project for Incarcerated Women: Liberating Medea
From the late twentieth and into the early twenty-first century, productions of Greek tragedy have been comparatively frequent; many of them use tragedy as a way to think through contemporary problems from a politically progressive point of view. In this essay, I look at Rhodessa Jones’ Medea Projec...
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Published in: | Syllecta classica 2008, Vol.19 (1), p.237-254 |
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Main Author: | |
Format: | Article |
Language: | English |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | From the late twentieth and into the early twenty-first century, productions of Greek tragedy have been comparatively frequent; many of them use tragedy as a way to think through contemporary problems from a politically progressive point of view. In this essay, I look at Rhodessa Jones’ Medea Project as one example of these political uses of tragedy. Jones works with incarcerated women in the San Francisco jails; her workshops culminate in public performances at theatrical venues in the city. The essay asks whether and how theater can be politically effective. |
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ISSN: | 1040-3612 2160-5157 2160-5157 |
DOI: | 10.1353/syl.2008.0003 |