Outside Ravel's Tomb
In his 1956 study of Ravel, Vladimir Jankélévitch remarked that music machines and animated objects are pervasive motifs in the composer's oeuvre. These motifs shaped Le Tombeau de Couperin (1917) and L'Enfant et les sortilèges (1925), and are significant generally in musical modernism. To...
Saved in:
| Published in: | Journal of the American Musicological Society 1999-10, Vol.52 (3), p.465-530 |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | English |
| Citations: | Items that this one cites Items that cite this one |
| Online Access: | Get full text |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|