TV Museum: Contemporary Art and the Age of Television, by Maeve Connolly

In 1984, on the eve of Ronald Reagan’s re-election, television coverage of the US presidential race was suddenly interrupted by a breaking news story: Soviet arms were reportedly on their way to Nicaragua. Moscow, it appeared, had orchestrated this carefully timed manoeuvre to upset the delicate bal...

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Bibliographic Details
Published in:Alphaville 2015-12 (10), p.185-189
Main Author: Levin, Erica
Format: Article
Language:English
Subjects:
communication studies
contemporary art criticism
media studies
museum
television
Citations: Items that this one cites
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Summary:In 1984, on the eve of Ronald Reagan’s re-election, television coverage of the US presidential race was suddenly interrupted by a breaking news story: Soviet arms were reportedly on their way to Nicaragua. Moscow, it appeared, had orchestrated this carefully timed manoeuvre to upset the delicate balance of power in the region. Network broadcasters and other media outlets reported on this crisis for days, despite the fact that no evidence of the shipment had surfaced beyond a few grainy satellite pictures. The story was based entirely on leaked intelligence reports, which ultimately turned out to be false. Even after they were discredited, however, the media frenzy around these reports helped to bolster support for continued US intervention in Central America during Reagan’s second term in office.
ISSN:2009-4078
2009-4078
DOI:10.33178/alpha.10.14