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Science in advertising narratives: strategies in freeto-air TV/Ciencia em narrativas publicitarias: estrategias na TV aberta

In this paper, we present nine strategies of science usage in TV advertisement. Understanding advertising as a narrative articulated to our daily lives, therefore, a mediation of communication processes and a constructor of patterns, we develop the research following the proposal of Motta (2013) for...

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Bibliographic Details
Published in:Comunicação, Mídia e Consumo Mídia e Consumo, 2018-01, Vol.15 (42), p.156
Main Authors: Malcher, Maria Ataide, Raiol, Weverton
Format: Article
Language:Spanish
Online Access:Get full text
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Summary:In this paper, we present nine strategies of science usage in TV advertisement. Understanding advertising as a narrative articulated to our daily lives, therefore, a mediation of communication processes and a constructor of patterns, we develop the research following the proposal of Motta (2013) for the communicational analysis of the narratives. Based on seven analytical movements, we identified the following strategies: (i) the scientific components; (ii) the scientific environments; (iii) the invitation to experimentation; (iv) the relation with innovation; (v) fiction and reality; (vi) the scientific animations and illustrations; (vii) the specialist and scientist characters; (viii) the celebrity characters; (ix) and the non-specialist characters Keywords; advertising; science; narrative; free-to-air TV Neste artigo apresentamos nove estrategias de uso da ciencia em anuncios publicitarios televisivos. Entendendo a publicidade como uma narrativa articulada ao nosso cotidiano, portanto, uma mediacao de processos de comunicacao e uma construtora de modelos, desenvolvemos a pesquisa seguindo a proposta de Motta (2013) para analise comunicacional de narrativas. A partir de sete movimentos analiticos, identificamos as seguintes estrategias: (i) os componentes cientificos; (ii) os ambientes cientificos; (iii) o convite a experimentacao; (iv) a relacao com a inovacao; (v) a ficcao e a realidade; (vi) as animacoes e ilustracoes cientificas; (vii) os cientistas e especialistas como personagens; (viii) as celebridades como personagens; (ix) os nao especialistas como personagens. Palavras-chave: publicidade; ciencia; narrativa; TV aberta
ISSN:1806-4981
DOI:10.18568/CMC.V15I42.1543