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Defining the Proper Members of the Renaissance Theatrical Community
To return to the question of cultural analysis, a canonical play such as Epicene is often analyzed as if it reflected early modern culture-but without a sense of where it fits in to popular culture. [...]I would argue that both Shakespeare's and Jonson's plays are deeply indebted to specif...
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Published in: | Renaissance drama 2012-01, Vol.40, p.113-123 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | To return to the question of cultural analysis, a canonical play such as Epicene is often analyzed as if it reflected early modern culture-but without a sense of where it fits in to popular culture. [...]I would argue that both Shakespeare's and Jonson's plays are deeply indebted to specific wordplay that happened to be in vogue the year in which a given play was written. [...]most of them close their fifth act on a cheery note, along the lines of Florimell's smug boast about her husband's "proper" inches. [...]of the play, she refuses to marry him, protesting that she has "not yet prov'd all his knightly parts" (5-2.338); she changes her mind when he produces a poem atomizing Englishwomen's desires (according to Goosecap, they crave both a "fine French page" and an "English mastiff" [5.2.359]). |
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ISSN: | 0486-3739 2164-3415 |
DOI: | 10.1086/rd.40.41917503 |