Kung Fu Production for Global Consumption: The Depoliticization of Kung Fu in Stephen Chow'sKung Fu Hustle

For the West, the question of Hong Kong identity is inextricably bound to images that have been largely constructed by directors, stars, and fans of Hong Kong cinema throughout the region's filmic history. Hong Kong's oldest genre, the martial arts film, is of particular significance, as i...

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Bibliographic Details
Published in:Style (University Park, PA) PA), 2009-03, Vol.43 (1), p.65-85
Main Author: Dumas, Raechel
Format: Article
Language:English
Subjects:
Alleys
Artistic representation
Film criticism
Gangs
Globalization
Martial arts
Motion picture industry
Movies
Nostalgia
Westerns
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Summary:For the West, the question of Hong Kong identity is inextricably bound to images that have been largely constructed by directors, stars, and fans of Hong Kong cinema throughout the region's filmic history. Hong Kong's oldest genre, the martial arts film, is of particular significance, as it constitutes not only the earliest genre particular to Hong Kong, but also the most frequently revived. This essay explores the history and politics of kung fu cinema and its local and international fan base from wuxia to present day, ultimately examining Stephen Chow's recent award-winning filmKung Fu Hustlein order to explore the impacts of globalization on both local film production and international perceptions of Chineseness.
ISSN:0039-4238
2374-6629