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Literary Property and the Single Woman in Isabella Whitney's "A Sweet Nosgay"
This essay offers a new perspective on the Tudor poet and maidservant Isabella Whitney's way of constructing herself as a female author in the early modern literary marketplace. While Whitney is most often read as a writer desiring textual communities through patronage and the exchange of lette...
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Published in: | Studies in English literature, 1500-1900 1500-1900, 2005, Vol.45 (1), p.1-22 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | This essay offers a new perspective on the Tudor poet and maidservant Isabella Whitney's way of constructing herself as a female author in the early modern literary marketplace. While Whitney is most often read as a writer desiring textual communities through patronage and the exchange of letters, I note that throughout her miscellany A Sweet Nosgay (1573) she continually emphasizes her isolation from family and community. This stance, I argue, helps Whitney develop a sense of herself as a professional writer who must, after losing her post as a servant, achieve economic independence through the sale of her own verse. |
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ISSN: | 0039-3657 1522-9270 1522-9270 |
DOI: | 10.1353/sel.2005.0005 |