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"This Fundamental Challenge to Identity": Reproduction and Representation in the Drama of Adrienne Kennedy
Although Kennedy's plays focus on the mind, their subtexts are riddled with references to the body and the reproductive process. Kennedy's plays may be seen as expressions of failed pregnancies--of pregnancies that end in miscarriage and madness. Due to ingrained racial and sexual oppressi...
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Published in: | Theatre journal (Washington, D.C.) D.C.), 1996-05, Vol.48 (2), p.141-155 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
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Summary: | Although Kennedy's plays focus on the mind, their subtexts are riddled with references to the body and the reproductive process. Kennedy's plays may be seen as expressions of failed pregnancies--of pregnancies that end in miscarriage and madness. Due to ingrained racial and sexual oppression, Kennedy's subjects remain fragmented, existing as bitterly opposed selves, observing their own existence but unable to act, incapacitated by circumstances of birth. While Kennedy's plays sustain thematic metaphors of miscarriage, however, they also work as symbols of birth, fulfilling Elin Diamond's definition of "mimesis-mimicry" and thereby satisfying a theatrical metaphor for the womb. |
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ISSN: | 0192-2882 1086-332X 1086-332X |
DOI: | 10.1353/tj.1996.0047 |