The Final Judgement as Ritual Purgation of the Cosmos: The Influence of Scapegoat Traditions on Matt 25.31–46

In this article, I argue that Leviticus 16 and early Jewish Day of Atonement traditions have influenced the imagery of the sheep and the goats in Matt 25.31–46. The ritual shading that this judgement scene acquires in light of its use of Yom Kippur imagery fits well into Matthew's overarching i...

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Bibliographic Details
Published in:New Testament studies 2021-04, Vol.67 (2), p.241-259
Main Author: Moscicke, Hans M.
Format: Article
Language:English
Subjects:
Angels
Contemporary literature
Eschatology
Imagery
Morality
Narrative techniques
New Testament
Rituals
Traditions
Yom Kippur
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Summary:In this article, I argue that Leviticus 16 and early Jewish Day of Atonement traditions have influenced the imagery of the sheep and the goats in Matt 25.31–46. The ritual shading that this judgement scene acquires in light of its use of Yom Kippur imagery fits well into Matthew's overarching interest in moral purity. The drama of moral impurity in the Gospel of Matthew concludes with the Son of Man's eschatological purgation of iniquity from the cosmos in a manner reminiscent of the yearly expulsion of moral impurity from Israel's temple by means of the scapegoat ritual. Building on the insights of scholars who have attempted to demonstrate Matthew's knowledge of Son of Man traditions attested in the Parables of Enoch, this article also contends that Azazel traditions contained in that same Enochic booklet have influenced the portrayal of the goats’ banishment in Matt 25.41, a conclusion that becomes more probable in light of Matthew's unique application of the Asael tradition attested in 1 En. 10.4 at the end of his Parable of the Wedding Feast (Matt 22.13).
ISSN:0028-6885
1469-8145
DOI:10.1017/S0028688520000363