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Redressing the Past: New Clothes, Old Estates, and Anne Clifford's Fashioning of Community
Loney explores how Lady Anne Clifford (1590-1676), a woman who was deeply invested in defending her claim to vast ancestral estates, deployed fashions novelty rhetorically. In the first two decades of the seventeenth century Clifford was engaged in a legal battle to assert her claim to her family...
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Published in: | Early modern women 2020-09, Vol.15 (1), p.51-72 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites |
Online Access: | Get full text |
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Summary: | Loney explores how Lady Anne Clifford (1590-1676), a woman who was deeply invested in defending her claim to vast ancestral estates, deployed fashions novelty rhetorically. In the first two decades of the seventeenth century Clifford was engaged in a legal battle to assert her claim to her family's ancestral lands. In these years she was also the subject of a number of portraits, and she produced a substantial collection of life-writing, including a diary in which she recorded the events of 1616, 1617, and 1619. Even as Clifford demonstrates a fervent respect for tradition, history, and England's lands, she repeatedly emphasizes the importance of fashion in her diaries and portraits. She argues that fashion allows Clifford to construct a new form of social identity for herself in which new clothes are not a danger to land but rather help to form an alternate community for her in the years in which she was alienated from her family estates. |
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ISSN: | 1933-0065 2378-4776 |
DOI: | 10.1353/emw.2020.0004 |