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“What a fuss about probably nothing”: Iris Murdoch’s Ordinary Queerness
By virtue of its critical distance from the normal, Warner's sense of queer calls a host of traditional concepts-such as the individual, love, and goodness-into question. In what follows, I make the case for Murdoch's relevance to Queer Studies through an analysis of her thirteenth novel,...
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Published in: | Studies in the literary imagination 2018-09, Vol.51 (2), p.115-135 |
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Main Author: | |
Format: | Article |
Language: | English |
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Online Access: | Get full text |
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Summary: | By virtue of its critical distance from the normal, Warner's sense of queer calls a host of traditional concepts-such as the individual, love, and goodness-into question. In what follows, I make the case for Murdoch's relevance to Queer Studies through an analysis of her thirteenth novel, A Fairly Honourable Defeat.1 I argue that the text's representation of queer desire challenges regimes of the normal, in Warner's sense, but does so without endorsing or inducing critical detachment. When the press interviews him regarding his decision to give up "the biological warfare game," Julius "didn't talk about principles" (4); rather, he simply stated that "he was bored" (5). In quick succession, this opening tete-a-tete broaches three important topics: the intellectual's role in modern society, the tension between fact and value in scholarly research, and the tendency for intellectuals to theorize away an extant difficulty. |
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ISSN: | 0039-3819 2165-2678 2165-2678 |
DOI: | 10.1353/sli.2018.0016 |