The politics of happily-ever-after: romance genre fiction as aesthetic public sphere

How does the romance reading community understand the genre in relation to sociopolitical concerns? This paper draws on interviews, observations of romance writers’ conferences, and a variety of text data to explore how popular romance fiction functions as an aesthetic public sphere, a site of polit...

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Bibliographic Details
Published in:American journal of cultural sociology 2021-06, Vol.9 (2), p.177-210
Main Author: Michelson, Anna
Format: Article
Language:English
Subjects:
Aesthetics
Community relations
Discourse
Media Sociology
Novels
Original Article
Politics
Public sphere
Romances
Social Sciences
Sociology
Sociology of Culture
Sociopolitical factors
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Summary:How does the romance reading community understand the genre in relation to sociopolitical concerns? This paper draws on interviews, observations of romance writers’ conferences, and a variety of text data to explore how popular romance fiction functions as an aesthetic public sphere, a site of political discourse. While I find that romance novels and the romance community address a range of sociopolitical issues, readers and writers debate whether they  should  address these issues. Some think romance should only provide entertainment, while others embrace the genre’s potential for active engagement with sociopolitical issues. These expectations play out in both romance novels and in community relations. Despite debate over the ideal purpose of romance, there is widespread agreement among readers that the genre is fundamentally about hope and the belief that love—and romance reading—can transform the world. This research extends the aesthetic public sphere concept to popular genre fiction, showing that romance is a particular kind of reading experience that allows readers to engage with serious sociopolitical issues with the promise of a happily-ever-after.
ISSN:2049-7113
2049-7121
DOI:10.1057/s41290-020-00126-7