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Revising the Law of the Mother in the Adoption-Marriage Plot

Gretchen Murphy, “Revising the Law of the Mother in the Adoption-Marriage Plot” (pp. 342–365) This essay traces a common plot in British and American fiction in which an outsider is first adopted and then later marries into a family. Such plots have been linked with the transition from blood to volu...

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Published in:Nineteenth-century literature 2014-12, Vol.69 (3), p.342-365
Main Author: Murphy, Gretchen
Format: Article
Language:English
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Summary:Gretchen Murphy, “Revising the Law of the Mother in the Adoption-Marriage Plot” (pp. 342–365) This essay traces a common plot in British and American fiction in which an outsider is first adopted and then later marries into a family. Such plots have been linked with the transition from blood to voluntary association in liberal society, but this essay examines the apparent superfluity of adoption and marriage in bringing the outsider into the family. Surveying historicist and psychoanalytic interpretations of the role of incest in the formation of democratic and contractual community in these works, the essay uses Juliet Mitchell’s psychoanalytic theory of siblings to propose that these plots address a central challenge of democracy: mediating equality and freedom when a legally imposed equality among all stands at odds with the freedom to create closed communities of choice. Shifting from adopted siblinghood to marriage enables a fantasy of social relations that are entirely chosen rather than imposed. Novels discussed include Jane Austen’sMansfield Park(1814); James Fenimore Cooper’sWyandotté(1843); Emily Brontë’sWuthering Heights(1847); Maria Susanna Cummins’sThe Lamplighter(1854); Frank J. Webb’sThe Garies and Their Friends(1857); Anthony Trollope’sDoctor Thorne(1858); Harriet Beecher Stowe’sThe Pearl of Orr’s Island(1862); Augusta Jane Evans’sSt. Elmo(1866); María Ruiz de Burton’sWho Would Have Thought It?(1872); and Helen Hunt Jackson’sRamona(1884).
ISSN:0891-9356
1067-8352
DOI:10.1525/ncl.2014.69.3.342