A Self‐Portrait of Michelangelo Buonarroti Hidden in a Drawing from the Ashmolean Museum

• Published in: Clinical anatomy (New York, N.Y.) N.Y.), 2019-01, Vol.32 (1), p.53-57
• Main Author: de Campos, Deivis
• Format: Article
• Language: English
• Subjects: Ashmolean museum; Collection; Famous Persons; History, 16th Century; Humans; Male; Michelangelo; Museums; Nose; portrait of Marchesa di Pescara; Portraits as Topic - history; self‐portrait
• ISSN: 0897-3806; 1098-2353
• DOI: 10.1002/ca.23288

The discovery was recently announced in the scientific literature of a self‐caricature of the great Renaissance artist and genius of human anatomy, Michelangelo Buonarroti (1475–1564), concealed in a drawing from 1525. This drawing is held in the collection of the British Museum in London, England. In it, the artist portrayed the Marchesa di Pescara, Vittoria Colonna (1490–1547). The present article considers evidence that Michelangelo may have depicted himself in another portrait of Vittoria Colonna, dated to approximately 1522, which is currently in the collection of the Ashmolean Museum in Oxford, England. This concealed silhouetted figure displays physical features strikingly similar to those depicted in portraits of Michelangelo by his contemporaries, and in the description of the artist by Michelangelo's biographer, Giorgio Vasari (1511–1574): the large body, the shape of the face, the beard and the flattened nose. In this context, the present article could serve to facilitate analyses of the physical form and even of the state of health (from 1522) of one of the foremost anatomists of the Renaissance. Clin. Anat., 2018. © 2018 Wiley Periodicals, Inc.