Modern Architecture in Post-Colonial Ghana and Nigeria

• Published in: Architectural history 2004, Vol.47, p.361-392
• Main Author: Roux, Hannah Le
• Format: Article
• Language: English
• Subjects: African culture; Architectural control; Architectural design; Architectural education; Architectural history; Architecture; Educational buildings; Houses; Modernist art; Residential buildings
• ISSN: 0066-622X; 2059-5670
• DOI: 10.1017/S0066622X00001805

… an architecture and form of urbanism will emerge closely connected with the set of ideas that have international validity but reflecting the conditions of climate, the habits of the people and the aspirations of the countries lying under the cloudy belt of the equatorial world. Max Fry and Jane Drew, architects, 1956 The concept of architecture, even in its widest traditional sense, is foreign to Africa. John Lloyd, architect, 1966 Maxwell Fry and Jane Drew, who had been in and out of West Africa since the 1940s as planners and architects, were optimistic about the role of architecture in the tropics on the eve of independence. In the text of Tropical Architecture in the Humid Zones they championed the development in Africa of the tropical modernism they had pioneered in their own work. In sharp contrast, John Lloyd, writing from Ghana just ten years later, conveyed a sense of the discipline’s estrangement from the context.