Loading…
Re-Placing the Madwoman: Irene Vilar's The Ladies' Gallery
Driven in no small part by the rise of disability studies in the humanities, this moment of potential "opening" of the space of subject also coincided with a global effort to remove the physical barriers inherent in institutional mental health care.2 This shift in perspective allows us to...
Saved in:
Published in: | Frontiers (Boulder) 2010-09, Vol.31 (3), p.103-115 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | Driven in no small part by the rise of disability studies in the humanities, this moment of potential "opening" of the space of subject also coincided with a global effort to remove the physical barriers inherent in institutional mental health care.2 This shift in perspective allows us to revisit the madwoman's attic, reassessing how to "place" mental illness and subjectivity. The international Mad Pride movement, for example, reclaims open, public spaces for mad people during its often flamboyant demonstrations and also appropriates intellectual space through its Web presence.50 The growing number of public radio broadcasts, 'zines, blogs, and multimedia sharing initiated by international communities of current and former psychiatric hospital patients participates further in this blurring of the boundaries between inside and outside.51 An Internet-based vendor now offers the world a t-shirt emblazoned with the words I am the madwoman in the attic and an illustration of a deranged looking Victorian woman. |
---|---|
ISSN: | 0160-9009 1536-0334 1536-0334 |
DOI: | 10.1353/fro.2010.a402748 |