(De)constructing timbre at NIME: reflecting on technology and aesthetic entanglements in instrument design
Timbre, pitch, and timing are often relevant in digital musical instrument (DMI) design. Amongst the three, timbre is the most difficult to define and discretise when negotiating audio representations and gesture-sound mappings. We conduct a corpusassisted discourse analysis of “timbre” in all NIME...
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| Main Authors: | , , , , |
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| Format: | Default Conference proceeding |
| Published: |
2025
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| Subjects: | |
| Online Access: | https://hdl.handle.net/2134/31215787.v1 |
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