The book as object in Ray Galton and Alan Simpson’s 'Hancock’s half hour' scripts

It is common critical practice these days to describe the work of previous generations of critics as idealistic in the worst possible sense, treating literature as though it existed in a realm of pristine ideas when in fact it can only ever exist in material form as one or more textualizations. In t...

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Bibliographic Details

Main Author:	Gabriel Egan
Format:	Default Text
Published:	2001
Subjects:	Other creative arts and writing not elsewhere classified untagged Studies in the Creative Arts and Writing not elsewhere classified
Online Access:	https://hdl.handle.net/2134/3909
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