The good, the bad, and the ugly: violence, tradition and the politics of morality in Martin McDonagh's 'The Lieutenant of Inishmore'
The recent plays of Martin McDonagh have fascinated and repelled critics for nearly a decade. His idiosyncratic blend of rural Irish mythology and ‘in-yer-face’ aggression has both caused consternation and won high praise, but the motivations and inspirations of McDonagh’s work have not been widely...
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| Format: | Default Article |
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2005
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| Online Access: | https://hdl.handle.net/2134/5493 |
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