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“Smash the social machine”: Neo-Victorianism and postfeminism in Emma Donoghue’s The Sealed Letter
This article reads Emma Donoghue’s neo-Victorian novel The Sealed Letter (2008) as a postfeminist text that demonstrates the complex ways in which feminist concerns of the nineteenth century persist in the twenty-first-century present. I argue that Donoghue’s reimagining of the Codrington trial from...
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| Format: | Default Article |
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2013
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| Online Access: | https://hdl.handle.net/2134/34160 |
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