Listening to North Indian classical music: How embodied ways of listening perform imagined histories and social class

With this article, I theorize the sociality of embodied ways of listening to North Indian classical music. I focus on rasikas (connoisseurs): these expert listeners are conspicuous at live performances, where they gesture and comment to express their enjoyment of the music. Based on ethnography and...

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Bibliographic Details

Main Author:	Chloe Alaghband-Zadeh
Format:	Default Article
Published:	2017
Subjects:	Anthropology not elsewhere classified Other human society not elsewhere classified Other language, communication and culture not elsewhere classified untagged Language, Communication and Culture not elsewhere classified Studies in Human Society not elsewhere classified Anthropology
Online Access:	https://hdl.handle.net/2134/27668
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